News


Jon Van Caneghem
January 2017
JVC 2016


Regular readers will know this name well: as one of the original founders of NWC and creator of the Might & Magic games, Jon is considered the spiritual father of the franchise. As he said it himselt: "I wrote the first Might and Magic while finishing college on an Apple II, and I’ve been making games ever since." After 3DO went belly up in 2003, he moved on to other things while Ubisoft would eventually pick up the baton and continue the series. Currently, he's CEO of VC Mobile Entertainment. After the release of Creature Quest, we were able to get him to answer some questions for us.

CreatureQuest 41. What's your current job? Please outline what your work entails.
"CEO, so I oversee everything involved with running the company, but I try to spend as much time on game design as possible."

2. What's your favorite part of the job?
"Designing new games and playing new games, but working with a talented and enthusiastic team is by far the most fulfilling."

3. Where do you see yourself in 5 years?
"Hopefully doing what I’m doing now but with multiple teams."

4. What do you like to do in your free time? Do you still race cars?
"Yes, I’m quite active with several racing organizations and I won a national championship with NASA-pro racing 4 years in row! I still play lots of games on PC and Mobile, but my hobby has always been racing cars."

5. What was your inspiration for Creature Quest?
"I was enjoying many of the current mobile games and I had the idea to bring some of the elements that made Heroes so much fun to the genre. So many people who have mobile devices have never experienced anything like this."

6. What are you most proud of?
"When making something new, it’s very difficult to create a game that’s fun and addicting. I’m very proud of how the game has evolved, the decisions we made along the way and how much fun it is to play."

7. How big is the team?
"We just past 20 people and growing."

8. What are you hoping for with the global release?
"We all hope for a big hit, but just having a large number of players try the game and enjoy playing will be awesome."

9. You're just now launching globally; why the "soft launch", why didn't you launch globally right away?
"In the mobile world, this is quite common. We have made a tremendous amount of changes and adjustments during our soft launch, which is difficult to do in the PC/console world, but it gives us a chance to iterate and polish before we go out to a large audience. Its especially important for free to play games that only generate revenue from players sticking around."

CreatureQuest 510. What are your future plans for the game?
"We have an entire roadmap for the next year and beyond. It really becomes a live service like the MMO world where we have the ability to constantly add and improve the game, and respond to consumer feedback."

11. What does Creature Quest have in common with the games in the Might & Magic franchise?
"The combat system has the same feel as the early M&M RPG’s (party of portraits, taking turns attacking waves of creatures). The adventure part of the game is like exploring maps in Heroes, find treasure, resources, battle blocking armies, completing quests."

12. How is working on a mobile game different from the PC games?
"Embracing the input differences is probably the biggest challenge; swiping and tapping is very different from keyboard / mouse / controller. The play session length also makes for very different focus and scope. This means different types of games will work better than others. The list goes on, but at the end of the day it still must be fun!"

13. Fans like to think about "the road not taken" - did you have any specific plans for the future of the M&M/Heroes series, lore-wise and gameplay-wise? Did you have any visions for Heroes V or other games?
"I really wanted to make Might and Magic Online a long time ago, this was before EQ and all the MMOs. We started on it and had a lot of great systems and ideas, unfortunately I was never able to finish it. For Heroes, I had a very cool design for V that I would still like to do and now with all the connectivity and server power available, so many new cool things could be done with the Heroes franchise… (raising and waving hands in air)"

14. Were you proud of the creature lineups of HOMM IV factions? Were you planning to do radical changes in HOMM V factions due to fan reactions?
"Yes and yes, but the most heated debate was whether or not to allow the heroes on the battlefield (H3 vs H4)"

15. Do you think there's a chance you might work on M&M/Heroes related titles in the future?
"Hmm… maybe?"

16. What do you think is the future of gaming? Will mobile games grow at the expense of PCs and consoles?
"The future of gaming is… more gaming. I think all the platforms will grow, although mobile will always reach a much larger audience."

 

That's it - big thanks to Jon for taking the time and we hope to hear more from him in the future.

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After years of waiting there's finaly available Book III. This is because LotA team revived in previous year and got aboard new member - mctronic. Congrats!

And if you would be interested, contact them. They are still looking for a new volunteers, to create and test maps. Book IV is ahead!

 

Dear CH Community,

The Legend of the Ancients (LotA) team is proud to present Book 3 of HOMM5: LotA.



LotA1-3_TotE.zip



Book 3 is the work of dedicated HOMM fans that started around 2008-2009.



Book 3 features innovative ideas not seen in the previous books of LotA and in all HOMM5 Campaigns (to the best of our knowledge), and also features themes from previous games in the M&M Universe.



We are hopeful that you will enjoy playing the campaign as much as it was for the LotA team to implement it.



Please note the following for Book 3 of HOMM5: LotA:

1) It is only compatible with version 3.1;
2) Make sure that the option "No EyeCandies" is left unchecked; and
3) The game has been tested on Hard difficulty (for full AI).



Bugs, comments and suggestions may be reported on this thread.

Regards,

The LotA Team



Tracy Iwata
January 2017



CreatureQuest 31. A quick bio: what's your story? How did you get into gaming and what's been your career so far?

I got hooked on video games when I was a kid. I took classes for programming and graphics, aiming to be an animator or programmer to work on a game. New World Computing was my first job, thanks to Julia Ulano who liked my fantasy art. It was fun creating 2d animated sprites for Heroes II and seeing the game box in the stores. Things shifted to 3d for Might and Magic VI. From that point on the games used 3d models. When NWC relocated to Solvang, I went around different companies and learned new skills along the way, but I still missed working on fantasy games. Then JVC sent me an email and now I’m working on his Creature Quest project. It is so exciting to be working with familiar faces that I have not seen in years.

 

2. What's your current job? Please outline what your work entails.

I create the visual effects that are used to enhance gameplay on Creature Quest. They help pop out a feature in the interface or creature - such as sparkles over a button, or flames from a creature.

 

3. What's your favorite part of the job?

Watching other people having fun playing the game.

 

4. Where do you see yourself in 5 years?

I hope to be working on a creative project in some form.

 

5. What do you like to do in your free time?

I enjoy drawing creatures, and playing video games.

 

CreatureQuest 26. How many creatures are there?

There are over 500 creatures in the game, including all the variations of evo states.

 

7. What’s your favourite aspect of the game?

The map quests, I enjoy exploring and uncovering goodies. It is also a good way to collect items that level up your creatures.

 

8. What does Creature Quest have in common with the games in the Might & Magic franchise?

It is from JVC, lol. The strategy of building a team of creatures and improving their stats is there.

 

9. How is working on a mobile game different from the PC games?

There is a smaller limit on the amount of data a mobile game can push compared to a PC. I would love to have higher particle counts for each creature. As the chipset technology improves, mobile devices will eventually play more graphic intensive games.

 

Editor's note: Thanks to Tracy for taking the time. smiley
Creature Quest launches globally in two days, on January 26th. It will be available for free download on Google Play and iTunes.

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Bryan Farina
January 2017



1. A quick bio: what's your story? How did you get into gaming and what's been your career so far?

NWClogo"I started gaming in the late ‘70s when my tech-loving father got a PONG system for our TV.  Then  he bought a computer in 1982, a used Atari 800.  I was connecting to BBS systems and downloading and uploading games (at 300Bd!) when I was 10 years old.  We upgraded to an IBM clone in ’86 or ’87, and I’ve been upgrading every few years ever since.

My career started at New World Computing in 1995 as a QA tester. In very short order I became a Technical Writer, then a Designer, and then a Producer.  For Heroes I and II, I was the QA Lead, contributed heavily to both strategy guides, wrote the Heroes II manual, and did map building and other design work.  I became more full-time design for Might and Magic VI and VII, and then shifted into more of a Producer role for the later Heroes and Might and Magic games.

After New World, things have been a blur. I worked at NCSoft for a bit on an MMO game that never released. Then I was part of the team that founded Trion Worlds and worked on (what became) Rift. After that I went to Electronic Arts to bring Command and Conquer to the online world. When that was cancelled, I pushed JVC to start VCME."


2. What's your current job? Please outline what your work entails.

"I’m the Executive Producer for Creature Quest.  As exotic as that title sounds, in reality I coordinate all the aspects of the game to try and keep things flowing as smoothly as possible.  Beyond just art, design, and programming you have to factor in external groups (localization, first parties), create release schedules and the processes for hitting them, while also trying to develop the people working for you."


3. What's your favourite part of the job?

"Nothing beats creating something original and having it come to life—moving from paper design to implementation, going through numerous tweaks and revisions, and finally getting a full version finished that you can hand to a stranger.

And when that stranger gets their hands on it and become enthralled—that moment you realize what you dreamed up actually connects with people - that’s my favorite part."


4. Where do you see yourself in 5 years?

"That’s impossible to answer!  I wouldn’t see myself where I am today five years ago.  Ideally, I’ll still be here working on who-knows-what awesome, new thing.  If there’s one lesson I’ve learned, though, it’s that this industry is quite unpredictable."


5. What do you like to do in your free time?

"Primarily, I play games in my free time.  I love RPG and Strategy games the most, though I dabble a bit in other categories (FPS and action).  I prefer the PC to consoles, and I’ve been spending more and more time on mobile titles.

Outside of games I haven’t had that many other hobbies.  I’ve started to learn how to golf so that I can enjoy an ‘outdoor’ activity without requiring an organized team.  Recently, I’ve picked up reading books, primarily non-fiction, to gather up ideas and further develop my skills."

6. About Creature Quest: What devices does it play on?

"Creature Quest will be available on both iOS and Android devices through the App Store, Google Play, and Amazon.

7. How large is this world?

"We have over 20 different quests, each taking place in different regions of the world.  It’s hard to compare world sizes, and we’re not close to done building out all the different areas yet."

CreatureQuest 1

8. How do you keep the balance, is there a (battle) formula?

"Fortunately for us, JVC’s pet passion is balance.  He’s been very involved in making sure we have proper boundaries for the Creatures’ stats and abilities. Our ‘battle formula’ is actually derived from the original Heroes combat system."

9. What can you tell us about custom quest creation?

"At release, we aren’t supporting user-generated quests, though we have a lot of ideas for how to expand the guild/community features of the game."

10. Are there also Dungeons and Utopias?

"Not in the specific sense of the Heroes games. The quest maps have specific objectives, but they also have locations gating treasure and quest completion bonuses. The spirit is similar, but the specifics are different."

11. What's your target audience?

"Our primary audience are mobile gamers, and people moving into mobile games, that want games with depth and strategy. Obviously, we want to appeal to fans of JVC’s work (Heroes and Might and Magic), and in a broader sense not restrict our audience. One of the tentpoles that New World Computing had was to create games that could appeal to wide audiences - ages 8 to 80 and both genders - and we’ve tried to accomplish the same with Creature Quest.

12. How is money generated - in-app purchases?

"How to monetize a game is a question based entirely on the distribution platform for that game. Console games and traditional PC games were/are box purchase, primarily because there was no other way to easily distribute them. Modern console games have leveraged DLC more aggressively because they are now connected devices. Modern PC games (built solely for PC) are moving more and more towards free to play. Mobile games have tried both methods, and free to play has won handily. Having the widest possible audience is the smartest approach, and giving that audience the ability to enjoy the game before asking them to spend makes their purchase more considered and valuable.

Given that, our goal in crafting the game was to make sure we were consistent with certain principles: 1) that monetization does not gate progress, and 2) that the game is not filled with annoying ads. We play plenty of mobile games and know how irritating ‘pushy’ monetization can be. Our goal is that players choose to spend because they want more right now, as opposed to feeling like they have to spend to simply progress.

It is possible to play, and progress, without spending any money at all. Spending is like adding nitrous oxide to your car - it doesn’t make the car move, it makes the car go faster once it’s moving."

13. What does Creature Quest have in common with the games in the Might & Magic franchise?

"Creature Quest isn’t really a port of a Might and Magic game - it’s inspired by Might and Magic. There’s a map to explore with random encounters, humor, and combats like in Heroes. Those combats are presented and fought in manner similar to Might and Magic and there’s a wide range of Creatures to encounter and collect similar to both Heroes and Might and Magic. Creature Quest is an RPG game with some strategic elements, as opposed to a strategy game with RPG elements (like Heroes)."

14. How is working on a mobile game different from the PC games?

"For us, it’s been like turning the clock back. Our team is fewer than 20 people, which doesn’t happen much anymore in AAA console/PC development. Outside of that, it’s the interactions that are the most different - the display is much smaller than a monitor and the input mechanisms are significantly more limited - so creating UI and control schemes are pretty different than a PC game.

In addition, the monetization of modern mobile games (F2P), and the design around that, is very different from stand-alone PC development. Our goal here is to make spending in the game something you do to enhance or speed up your playing, without gating enjoyment of the game based on spending."

 

That's it - big thanks to Bryan for taking the time and we hope to hear more from him in the future.

 

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In july 2016 news of a HD mod for H4 was announced. 
A few days before the announcement a teaser-puzzle was posted as Picture-Of-The-Day displaying the adventure map in 16:9 ratio. Since then we've been trying to keep up with development of the project. Sadly not many updates have followed the announcement from the Equilibris team, but that hasn't prevented the community from keeping the discussion alive.

 

H4HDMod origHDMod - Game Settings and new resolutions

 

Fans are asking for the lastest news about the Equilibris HD mod. Is the project still alive? What's the status?

Rumors, on the Russian forum, says that project leader Dalai has traveled to Europe, which might explain his absense - althought Internet is somewhat widely accesable in most parts of Europe (but mind that's just a rumor)..

Meanwhile we can confirm that Equi programmer Max is still working on implementing the new UI for the HD Mod and although news has been somewhat scarce since the announcement of the HD Mod, progression has been made.

Below you can see the original 1024x768 townscreen, for comparison you can drag each of the images below, into your browser window to view them in full scale:

hdmod4 01

1024x768 original townscreen

 

This early version, posted at the announcement, displays a large Equilibris logo in the lower left corner (as well as mirrored edges 8|). The Equilibris team were asking artists for help, in creating better looking townscreen.

hdmod4 02 Equilibris HDMod - Early Screenshot

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Rob King
January 2017

 

Rob King is a name that will be familiar to fans of the Might & Magic franchise. Responsible for much of the music of previous games, his work serves to add that certain level of class needed to lift the gaming experience. It's been a while since we had our own talk with him - you can read that interview here. For now, though, let's catch up with this guy and see what he's doing:

1. First a quick bio for those who may be unfamiliar with the name Rob King: what's your story? How did you get into gaming and what's been your career so far?

"I got into gaming in the late 70’s with Pong! Then was addicted to my Atari 2600 all through the early 80’s. I had every console made through the 2000’s! Even the Magnavox Odyssey, Colecovision, Vectrex, Atari 5200 in the 80’s. My career has been working on Games, Music and Film projects since the early 90’s."

 

2. What's your current job? Please outline what your work entails.

CreatureQuest"My current job is working on different projects as I have done for years. I usually bounce between music, dialoue and sound design. Just finished a lot of VO production on Ghost Recon: Wildlands coming out March 1st. Just did a score for a really cool Augmented reality project coming out this year some time and of course we are wrapping up this cool mobile game that we have all worked really hard on this year – Creature Quest! The soundtrack will be available when the game drops."

 

3. How is making music for mobile devices different from your previous work? How is it different from the PC games?

"Absolutely no difference except for a little more memory limitations; the technical challenges. Although I think you need to make something fun that you can get in an out of quickly or be able to play at great lengths. I think people like to play between life’s tasks quite a bit. I know I do. You can be at a car wash waiting for your car and just wanna play a quick 10 min of something. You can do that with Creature Quest if you want to or you could be pretending to watch TV and be engrossed in the game for hours."

 

4. Do you personally play such games?

"Oh yeah, I play mobile games all the time. I am actually addicted to Hearthstone in a bad way.. I have been playing our Creature Quest build for over 2 years and I still enjoy it! Kinda crazy really as I rarely even play games I work on."

 

5. What's your favourite part of the job?

"Working on a team with other humans…  I spend way too much time by myself in the recording studio so whenever I can work with others it’s a pleasure."

 

6. Where do you see yourself in 5 years?

"I have no idea. Five years ago I wouldn’t have known where I’d be today. Hopefully I will be able to continue to do creative work in some capacity."

 

7. What do you like to do in your free time?

"I love art, I go to a lot of gallery shows. I like writing pop songs and consuming good wine. Spending time with my daughter is also very important to me."

 

8. How did you enjoy your collaboration with Ubisoft?

"It was great. They always gave us creative freedom. The producer on the last HOMM games Julien was also a super nice guy."

 

9. How many tracks have you composed for HoMM in total?

"Oh god…I have no idea. I’d have to say somewhere between 200-300 over 21 years."

 

10. Can all the tracks from the H7 Tbf expansion be heard somewhere on the web?

"I have no idea, but they are sitting on my hard drive.

 

11. What does Creature Quest have in common with the games in the Might & Magic franchise?

"Obviously the sound.  Personally the score to this game is one of our best. I love exploring unique instruments and blending them with the orchestra. We did a lot of this back on the Heroes III soundtrack and this score feels similar. It is a pretty mellow score over all but has our signature sound. Paul Romero and I worked on and off for over 2 ½ years on the music score. We didn’t really have any set schedule so we got to take our time working on it which is always the best way to work.  I think the character and creature design has an M&M feel and our art director Heather Poon is an absolute talent. Another thing in this game is the adventure maps. They have mini story lines and the way you explore has a familiar feel to HOMM even though it is completely different. When you start to play this game for a good 30 min and understand your way around the game play, it starts to give you that “Just one more turn” feeling.

 

That's it - big thanks to Rob for taking the time and we hope to hear more from him in the future.

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For some time you can watch developing of MM Merge, which is merging Might & Magic 6-7-8 on MM8 engine. And we felt that there is a right time to ask a few questions about the mod, current state and purpose.

Were you thinking about putting MM Merge to MM8 engine even before?
Yes, when I played MM6 and suddenly it turned out that the characters could not become liches, and the enemies, raised with dark magic, kept being agressive, then I wanted to somehow bring in these features. Back then I was finishing school and I did not have enough time to try. The desire came back when I first saw Grayface's MMArchive - extractor of game files. The choice between engines 7 or 8 did not cause me to think much, I've immediately chosen MM8, simply because this is my favorite part of the series, although now I am more attracted by the content that came from MM7. I think that the choice of the MM8 engine is the right decision due to the more flexible management system of the party and a larger size of ​​the game window.

How did you get to the series?
The games showed me my elder brothers. In fact, the first such game of similar genre that interested me was "Betrayal of Krondor", I sat and watched my brother play, and all these pixel cutscenes, pixel people, made a big impression. The most valuable for me was and remains a certain balance of naturalism and fantasy in these games: the characters have the proportions of real people, the monsters are created to look natural. At the same time, even though the pixel world was not densely populated, behind each object there was a story: if there is a tombstone in the middle of the field - come and read the epitaph, dig there and be killed by swarm of ghosts. Later, when I started to play myself, I liked the opportunity to ignore the main story and go explore the world. These two points are what I really lacked in MM10: everything looks like a completely unrealistic cartoon, and I have to go through the “corridors” of the plot before I can just walk around and explore the world.

What all limits do you removed? What all is moddable now?
The presence of limits was a surprise to me. If you have MMArchive, you can open the EnglishT.lod and see that information, for example, about monsters, is stored in a simple text table. The first thought that arises: "Hey! I can just change existing or add new lines!" - but not. The game is able to reserve parts of the computer’s memory for its own purposes, but for some reason, text tables are not located in the reserved areas, but in the data section of the executable file. Therefore, the increase in any table leads to the fact that it's rows "climb" on the rows of the next table, which in most cases leads to critical errors in reading. The task was to calculate the amount of memory for each table, reserve it, and then write the table there. It doesn't sound very difficult, but add here the fact that the game is already compiled and all pointers and references to the table should be searched for in the disassembled version and corrected by hand. If you downloaded the modification, open the folder "... Scripts\Structs", all scripts with the name "Remove" in the name is the removal of limits. I will briefly describe them in order of creation (I hope to make detailed documentation in the future).


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Molding Heroes

April Lee is a Graphic Artist at New World Computing. She worked on Heroes II, Heroes III and Armageddon's Blade, creating well-known graphics such as the H2 Mummy, the Manticore and the Gnoll. She tells us about the world of graphics and her work on Heroes IV.

Note: All pictures in this article are property of April Lee or 3DO. Reprinted with permission.

To learn more about April Lee and her work, please visit her Web site at www.aprillee.com

Angelspit: You have worked with various media before, such as CD-ROM games, Collectible Card Games, RPG Books, Magazines, and so on. What is your favorite one? Which one do you think is the most rewarding?

April Lee: Most of my work has been either in computer games or card games. I've got to say that my favorite is the card games. I like working in traditional mediums, and sometimes we are given a lot of artistic license to create people, creatures, places and objects that can really affect the look of the game.

In computer games, I tend to be assigned all kinds of different things and since it IS so collaborative, I try to match my style to the game, rather than try to affect the look of the game. This isn't quite as satisfying as the card games, especially since the artists aren't really credited that well. With the card games, my name is usually on every piece of work I do. With computer game art, the art may have been begun by another artist and finished or touched up by yet another, so it's hard to point to anything that's really mine.

That said, I do enjoy modeling and animating on the computer. It's very different than painting, and it's fun to contribute to a team effort.

Angelspit: What is a typical day of work for you? Since you are a freelancer, I guess you must work from home? Do you have a particular schedule?

April: Actually, I work full-time at New World Computing/3DO. And if you know anything about computer game companies, this means that 50 or 60 hour work weeks are not uncommon. Almost every single other hour, and most of my sleeping time, is consumed by my free-lance illustration work. Actually, I'm getting a bit tired of doing both--it does wear a normal person out. I've been doing it for 7 years straight, which is pretty hard-core.

Schedule is usually: into the office by 10am, out by 9 or 10, then eat and work until 2 or 3 am, weekdays. Weekends--catch up on sleep, work in afternoon and nights until 3 or 4 am.

I also go to conventions and sell artwork and prints--which can also be incredibly time-consuming.

Angelspit: How did you come to work with New World Computing? You said you knew someone there? Is it easy to get in touch with gaming companies?

April: I was hired at New World 5 years ago, for character animation on Heroes 2. Before that I was working for a small game developer called The Dreamers Guild (not to be confused with the big-time DreamWorks!). Several co-workers had left there to work for New World, who offered better pay, and they passed my name on to the art director. I had the exact skills they were looking for, so it was a natural transition.

The first game I ever worked on (at the Dreamers Guild) was "Inherit the Earth", which was published by New World. And I had also done free-lance, black and white illustrations (non-digital) for New World's manuals from 1989-95. So I actually had a rather long association with the company. It was also local to me, which didn't hurt.

Now, breaking into computer games with no experience is a bit harder. It wasn't too hard when I started in the early '90s, since the technology was still evolving and there were very few--almost NO-- places that actually taught the computer graphic skills. I was trained as an Illustrator in traditional media (at Art Center College of Design in Pasadena), and that alone helped get me in. But I also had been a fantasy artist, showing my art at Science Fiction conventions for years, so people at the Dreamers Guild knew me and I originally started doing concept sketches for them.

Since all companies at that time were critically short of computer artists, and the artwork in games was becoming increasingly involved and increasingly a large part of the game, they were practically begging me to work on the computer -- willing to train me and give me a computer at home to learn on, etc. Now that there are more schools that teach the programs, and the programs are more difficult to learn, it's probably harder to break in. Although an illustrator can almost still do it the way I did (starting with concept sketches)--as long as they know at least a bit of PhotoShop. I learned everything on the job, though, which isn't how it's being done these days.

Angelspit: You said working on the art for a computer game is a collaborative effort. It must be difficult to work with people with different background and styles, to know where your work starts and where it ends. Please describe how this process works. Also, which tools do you use?

April: I'm not very up on all the Game Design aspects--but it begins with the Designers and the Leads--in art and programming. The designers need to start a Design Document that covers the game play and all the elements. As soon as they have some idea of what assets and programming they will need, those leads will come in and figure out the time and resources (in artists and programmers), and the producer/lead designer will organize the writers and other departments, and interface with, perhaps, level or map design teams, testers, marketing, etc. Then things start going into production. In art, often there will be a concept sketch artist who will be communicating the look of the game, determined by the art director. Modelers and texture artists and 2d/interface artists will hopefully get their direction from the art director and the concept sketches. With Heroes 4, the art director was doing some concept sketches, as well as various artists. If I was assigned to do a building for the Adventure Map, say, a Library, I would get a sketch and I would model and texture the item based on that, and perhaps animate it, and submit it to the art director for approval, then it would get plugged into to the game by the asset-coordinator. The maps would be assembled by the map designers on Map Editors created by the programmers, etc.

Most game companies, New World included, use 3D Studio-Max and PhotoShop, primarily, along with other programs to do specialty things.

Angelspit: How do you manage to "enter" the Might and Magic universe, in other words, where do you get the information you need to create such a good-looking creature? Did Classic authors, mythology or the other Heroes games inspire you?

April: This is mostly left up to those doing the sketches. I've done some now and then. MM tends to be very "classic" fantasy/rpg--which means the images most people are familiar with--vaguely Northern European medieval-like society, with generic dwarves, halflings, elves, etc. We just use whatever visual inspiration we like to try not to make things mind-numbingly boring and repetitive. Hopefully, we are creative and interested enough to do this, at the same time, making sure we're not doing something TOO out there so that it doesn't fit into the general look of the game.

Angelspit: Are you a gamer yourself? If so, what are your favorite games, of any kind?

April: I started role-playing (AD&D, Runequest, C&S, Traveler) decades ago, but haven't had much time to do that lately. I can still think of playing paper rpg's since it's up to the GM to do all the work and planning and I can just join in a session for an afternoon or evening. I haven't had time to put into a computer rpg (I have NOT gotten through ANY MM game--or anything similar). And I can't keep up with the card games, either. I can do some lunchtime multi-player Unreal Tournament, now and then!

Angelspit: I just cannot resist: can you say a little something about Heroes 4? I know you must be under a NDA, but something like "there's a new creature, and it's brown and ugly!" would be fun!

April: Hmmm... I'm not up on the creatures. There are plenty of the Usual Suspects, however... I have friends who are Heroes fanatics and I am VERY frustrating for them, since I really don't read the design doc and can't tell them what's new, even if I wasn't under a non-disclosure act...

Angelspit: Thank you very much for your time April! We can't wait to see the results of your good work on Heroes IV. Best of luck in the future!


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H3SW beta v0.8 came out.

Visit their forums for downloads and bug reporting or make your note down. Enjoy when it's fresh! ;)

INSTALLATION note by Orzie added 5.1.2019


1. Install clean Heroes 3: SoD or Heroes Complete (without HotA, HD, WoG, ERA, etc.)
2. Download and Install H3SW v0.8.0
3. Install HD Mod if you have troubles with h3sw.exe.
4. Check if <Fix.Cosmetic> = 0. Write this line manually if it isn't there.

If you have the unlimited resources bug + Dragon Tower bug:

0. Delete the game+mod+HD directory completely.
1. Re-download H3SW v0.8.0 Installer from the same links.
2. Install clean game, install the mod, install HD Mod.
3. Make sure that <Fix.Cosmetic> = 0 in HD Mod launcher. Write this line manually if it isn't there.
3. Enjoy!


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